Journal 52 – Week 28

This weeks’ prompt for Journal 52 was technology.  I started by Googling technology and pinning some images that I found inspiring as my leaping off point.  (You can check out my Journal 52 Inspiration board here).  I was particularly drawn to a woman with technology surrounding her head and then leap to wearing a technology like a crown.  My journaling on the page was about using technology as a tool and not a crutch – not to wear it as a crown that made you royal, but a way to enhance your ability to connect and express yourself.  Here is the page from preliminary sketch to completion.

technology sketch© technology face painted© technology crown© technology complete©

Intuitive painting

As I mentioned in a post, I recently read “Brave Intuitive Painting” by Flora S Bowley and decided to take a couple of canvases that were sitting around my studio unfinished to play with.  The first (Shiny Medals) started out as a birch tree composition and the second (Intuition) was a yellow background I’d started for another painting and then decided to go in a different direction.  The idea behind intuitive painting is to follow your gut and just put paint where you feel it should go.  It was an interesting process and very freeing –  so much of the work that I do requires some precision, and this was about instinct.  I really enjoyed making the paintings, but I had to sit with each of them for a couple of days until I was sure that they were finished.  I put together a composite of Shiny Medals in progress as it took a while and I tried to get images in most stages, while Intuition came together much faster.  I will definitely continue with method of painting, along with the other type of work I love to do.

Shiny Medals

shiny medals compositeshiny medals complete©












intuition progress1© intuition progress2© intuition complete©

Journal 52 update – Weeks 19 to 27

As I stated in my last instalment, I’ve been away from the studio quite a bit in the last two months.  And of course this means that I have been getting behind on my Journal 52 project.  I’m happy to say that with a couple nights of regular studio time, Canada Day and a lovely day off yesterday spent painting, I’m back on track with this project.

I’ve really been enjoying the themes and have been surprised where some of them have led me.  The courage prompt stands out in particular.   The prompt challenged me to create a page about what courage means to me.  Through the process, I came to the realization just how much the definition has changed for me, especially in the last 5 years.  Before, courage was about putting on a brave face and continuing on, even when things were broken inside.  It was about supporting everyone else and not asking for help when I needed it.  Courage used to be about sticking with a situation or relationship, even when it was toxic, because the unknown was too scary.  Now, courage is about asking for help, moving into the unknown confident in who I am and what I can do and turning my back on situations that aren’t good for me.  This is a really big shift in my thinking process.

So here are the last few weeks of the Journal 52 prompts, starting with the most recent.



nostalgia complete©

Week 27 – Nostalgia

This week’s prompt took me back to the summer of ’88.  That last “perfect” summer before everyone started going their separate ways.  Dancing on Thursday nights at the Elephant and Castle, making mixed tapes and generally having the times of our teenaged lives.








under the sea complete©

Week 26 – Under the Sea

I decided to revisit the mermaid theme that I tried out in my very first art journal.  While I was generally satisfied with the first attempt, I always felt that there was room for improvement.  So, I used the same background technique (spray inks and gesso) and created from there.  I was thrilled with the result.







inspired by nature complete©

Week 25 – Nature Inspired

If you’ve followed my work at all, you know my main inspiration is nature.  So, I decided I needed to break away from the birds and try something new.  This one was a struggle at first, but in the end it all came together.  (to see all the images, check out my Facebook album)







courage complete©

Week 24 – Courage











passion complete©

Week 23 – Passion

Birds are my passion.  Everything seems to stem from birds.









travel complete©

Week 22 – Travelling

I’ve been out west (to Banff) as well as the Bruce Peninsula – Indian Paintbrush connected the dots between the two places.








mandala complete©

Week 21 – Making a Mandala

Mine was inspired by the native orchids we have in Ontario









book inspired complete©

Week 20 – Book Inspiration

I read Brave Intuitive Painting and used one of the exercises as my prompt for this page.  Not my normal colour palette, but it was fun to get messy.









photography complete©

Week 19 – Photography

One of the many photos I took on my travels (the famous MacGregor Elm) used as a photo transfer for this page.


Art Journal Page – Alcohol Ink Poppies

I’ve been watching lots of tutorials on gelli plate monoprinting over the last week and somehow my mind went to alcohol inks.  So I decided that this week I would try a journal page using this media.  To prep the paper, I gessoed the page and then added a coat of varnish.  I think the varnish was a bit of a mistake – the ink seemed to be slow to dry and was rubbing off.  Fixative made things run a bit, but it did seal everything in the end.

I started the page with some large drops of different coloured inks (butterscotch and cranberry) and then dropped some alcohol to help spread the ink around.  The rest of the ink was apply with a felt-tipped tool – dabbed and twisted the rest of the  ink and got amazing texture and colour so quickly.  This was the best part of the page – how fast it came together.  I started to see some shapes in the colours and defined poppy shaped and stems using the fine tip of the bottle.  A little definition with a gel pen and a tag with a quote and page was finished.  I will definitely continue to experiment with alcohol inks – next time, I’ll skip the glossy varnish and try matte medium instead.

Enjoy the images.

art journal page alcohol poppies start© art journal page alcohol poppies first layer© art journal page alcohol poppies complete©

And the survey says…

So, I decided to be brave and put my art out there for others to judge.  Last weekend, one of towns near to where I live was celebrating their migration festival and as part of the festivities, they hold an annual art and photo contest.  I saw the show last year and thought, I could probably do that and had promptly forgotten about it until a couple weeks ago when I saw the signs for the show.

Canada goose painting sketch©So I decided to put myself out there and make some art for the show.  The challenge for me was not sharing my art and having it judged (I’ve come to terms with the fact that everyone has their own taste and opinions and that’s a good thing.) but to actually get some paintings completed.  I now realize that I was fighting the flu during the time I should have been painting, so I was only able to complete one of the pieces that I was hoping to do.  Since the festival is framed around Canada Goose migration, that was a no brainer to paint.  I searched and found a sketch from 10 years ago that I had done in the park – and that was the leaping off point for the piece.

I had a vision of a goose standing in a beautiful fall field, with lovely golds and oranges, canada goose painting©sprinkled with hints of white, red and purple – reflecting goldenrods, asters and the changing colours of the fall leaves.

I was happy with the result.  It feels like a warm fire on a bright, cold fall evening.

I had fully intended to complete another painting, but with my work schedule (yes, I have a real job too – that I also love) and being sick, I just didn’t have the energy to get it right.  I have a great start on the painting and I’m sure it will be something that will be used in the future

I’ve been inspired by art nouveau paintings and wondered how I could start to incorporate this feel into paintings that are based in nature.  I’ve started some experiments and and this great blue heron painting with blue backgroundgreat blue heron piece is one of them.  It may not be obvious in this painting, but this is where the spark started…

Now, back to the actually art show – I didn’t get this piece finished – it’s still sitting the in studio, hopefully to be tackled tonight.  I had paid for two pieces and fortunately one of my owl pieces fit the criteria for entry into the show.  All pieces had to be a North American migratory bird.  And really, who doesn’t like owls – it seemed like a safe bet and it actually took a prize in the competition.  And the winner (at least the Peleegirl winner) is….burrowing owl painting complete©


The Owl Project – Not all things go as planned

Not all things go as planned seems to have been the theme for the last week of my life.  Internet was down for several days, dealt with terrible customer service trying to get said internet back up and running…work was really busy and artistically, everything was either taking much longer than anticipated, or just wasn’t working the way I wanted to.

So, what’s a girl to do – take a deep breath, assess the situation and move forward.  Here are couple cases in point.  I decided to tackle a bunch of paintings yesterday that I had pen work completed on and thought I’d start with the backgrounds.

I thought a crimson background would be really impactful
I thought a crimson background would be really impactful
The final product, with green background
The final product, with green background

When I started with the Barred Owl, I was really thinking a crimson background would be really impactful.  So, I went with it, let it dry and when I was getting ready to start painting, I just wasn’t feeling it.  I took a step back and tried to visualize where I wanted the painting to go and decided that a green background was going to work better.  And I went with it – happily, the end product was what I’d hoped it would be.

With that painting under my belt, I decided that I would move on to the Short-eared Owl painting.  I’d worked on a lovely cerulean blue background that I was really happy with, but when I looked at the actual pen work and subject I was about to paint, I still wasn’t happy with it.  I’d been struggling with the sketch from the beginning and never felt I’d really got the proportions and jizz of the bird right.

First attempt at the Short-eared Owl
First attempt at the Short-eared Owl

I had two choices, either plough ahead and finish what I’d started or go back to the drawing board.  This time, I scrapped the entire project and went right back to the sketching phase again.  I found a new reference photo and pose for the bird that I was much happier with.  The image was transferred to the gesso original board (there is some satisfaction in covering up something you are really unhappy with) and the pen work is complete and ready for paint.  new short-eared owl sketch©new short-eared owl penwork©

Lessons learned – trust your instincts and be patient.  Sometimes it’s going to take longer to get the project completed than you’d hoped, but if you take time, step back and assess and follow your gut, you’ll end up with a product that makes you happy.